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Good, if somewhat superficial, adaptation of James Hilton's superior novel about a group of people fleeing a revolution who are kidnapped and flown to a mysterious lamasery (a Tibetan monastery) where, free from the cares of the outside world, some of them find paradise while others perceive only a prison. Begins with titles that ask the audience if they have ever imagined a perfect world, which is significant because here (not so in the book) the protagonist, Bob Conway, is an everyman type (albeit a middle-aged, somewhat world weary everyman), and as such his character needs little more than generalities to support it. And generalities are all we ever get. At the same time, it opens the door to the Hollywood sop, the love interest, played by Jane Wyatt. Still, a pleasant drama, worth watching for the evolution of the characters as they come to terms with their new situation in life, with suspense provided by those who don't: one member of Conway's party and one of the lamas. Edward Everett Horton adds humor as a new character, a timid palentologist who learns to assert himself. As Conway, Ronald Colman is both believable and likeable. With an ending that departs from the book not so much in terms of action as psychology, and which is, in its own way, very dramatic. Over the years, parts of this film were lost, and the current restoration includes the complete soundtrack, with stills substituted for seven minutes of still-missing footage. (Trust us, it isn't much of a distraction.)
Good, if somewhat superficial, adaptation of James Hilton's superior novel about a group of people fleeing a revolution who are kidnapped and flown to a mysterious lamasery (a Tibetan monastery) where, free from the cares of the outside world, some of them find paradise while others perceive only a prison. Begins with titles that ask the audience if they have ever imagined a perfect world, which is significant because here (not so in the book) the protagonist, Bob Conway, is an everyman type (albeit a middle-aged, somewhat world weary everyman), and as such his character needs little more than generalities to support it. And generalities are all we ever get. At the same time, it opens the door to the Hollywood sop, the love interest, played by Jane Wyatt. Still, a pleasant drama, worth watching for the evolution of the characters as they come to terms with their new situation in life, with suspense provided by those who don't: one member of Conway's party and one of the lamas. Edward Everett Horton adds humor as a new character, a timid palentologist who learns to assert himself. As Conway, Ronald Colman is both believable and likeable. With an ending that departs from the book not so much in terms of action as psychology, and which is, in its own way, very dramatic. Over the years, parts of this film were lost, and the current restoration includes the complete soundtrack, with stills substituted for seven minutes of still-missing footage. (Trust us, it isn't much of a distraction.)