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Remake of Meir Zarchi's brainless ode to torture is slicker and in some ways sicker than the original. The basic story remains the same: young woman (Sarah Butler) goes to backwoods house to write a book and is set upon by a group of violent opportunistic rapists who live to regret their unsociable behavior as she picks them off one by one in revenge. The big difference here is the weird way in which our heroine begins to channel Torquemada as she creates one elaborate torture device after another to exact her retribution, becoming in the process even more depraved than her attackers. (Ms. 45 would have kissed a bullet just for this chick.) So, once again, the woman loses, and Zarchi (co-producer here) who says he once rescued a rape victim in real life, metaphorically slaps her around a little more. Followed by several sequels.
Remake of Meir Zarchi's brainless ode to torture is slicker and in some ways sicker than the original. The basic story remains the same: young woman (Sarah Butler) goes to backwoods house to write a book and is set upon by a group of violent opportunistic rapists who live to regret their unsociable behavior as she picks them off one by one in revenge. The big difference here is the weird way in which our heroine begins to channel Torquemada as she creates one elaborate torture device after another to exact her retribution, becoming in the process even more depraved than her attackers. (Ms. 45 would have kissed a bullet just for this chick.) So, once again, the woman loses, and Zarchi (co-producer here) who says he once rescued a rape victim in real life, metaphorically slaps her around a little more. Followed by several sequels.
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